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Top 10 secrets of the original "Ghostbusters" film

From the moment it hit the big screen, Ghostbusters was destined to be an instant classic. It is at the top of childhood favorites and helped define a generation.

It was also the beginning of comedy films on a large budget and perhaps proved for the last time that Saturday Night Live alumni could make the leap to a successful film franchise. (We're kidding. The Ladies Man was great.)

Like most cultural phenomena, the impact of Ghostbusters was a surprise to those involved in the film. In fact, the film almost didn't happen. Here are 10 more surprising facts from one of the best films of the 1980s.


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10 Hell On Wheels

The Ectomobile (also known as Ecto-1) is an icon right up there with the black pontiac in Knight Rider and the DeLorean in Back stands in the future . A vehicle like this can set the overall tone for a scene and split off a fortune in merchandising. However, the Ecto-1 was not always what you see on the screen. In fact, it was almost nothing.

Originally, the car driven by the gang was supposed to be a pink Cadillac ambulance. After the crew (luckily) rejected this idea, they decided to paint the whole thing black. Stephen Dane came in and saved the day by designing the exaggerated, flashing, siren-howling reaction vehicle that we all know now. [1]

Although it may have looked tough According to cameraman Laszlo Kovacs, it was almost impossible to film the completely black ecto in the night scenes. Despite all of this, fans are lucky enough to have seen footage of the Ectomobile. As Dan Aykroyd revealed, the thing was a piece of garbage. They could barely let it run between shots, and it kept collapsing on the set.

9 Who is there first?

All films go through casting changes. However, since an unproven franchise has only just begun, changes have been made to the left and right of the Ghostbusters set . According to some sources, Dan Aykroyd initially wrote the film for John Belushi, Eddie Murphy and himself as the original Ghostbusters. Unfortunately Belushi died of a drug overdose and Murphy was already committed to Beverly Hills Cop .

John Candy was supposed to play Louis Tully (Rick Moranis & # 39; character). But Candy wanted to show the figure with a German accent and a pair of schnauzers as companions. The authors resisted and Candy went on.

Ernie Hudson took on the role of Winston Zeddemore, the fourth ghostbuster. His share was reduced in paraphrase from an original Ghostbusters team member to someone who was later hired by an ad in the film.

Through creative negotiations Frank Price from Columbia Pictures SNL convinced Alum Bill Murray to Take on the role of Ghostbusters Peter Venkman. . . the rest is history. [2]

8 Special Cameo

One of the most popular characters in the first Ghostbusters film didn't even have a name. On the set, he was known as the "Onion Head Ghost" because of his horrible smell, but the name was never kept.

The floating ball of green slime that wreaked havoc in the Manhattan hotel scene and depressed everything in sight was fondly known as "slimer" for fans. But writers Dan Aykroyd and Harold Ramis considered Slimer the spirit of John Belushi. They wanted the green goblin to resemble Belushi as a kind of homage to their late friend, a man who meant so much to so many and simply missed being part of something very special. [3]

7 Stick to the script

Everyone in the cast was familiar with Saturday Night Live and improvisation when Ghostbusters started shooting. Many of the stars were former actors, so it should come as no surprise that many lines were ad libbed at the time of filming.

According to the cast, almost every scene had at least one line that it wasn't in the script. The actors constantly gave their own touch to the characters they portrayed.

This could be one reason why the film feels so honest and real. Murray said he decided to act exactly as he would if he were in the same situation, and to take a transparent look at the legendary actor in a parallel universe in which ghosts are destroyed. [4]

6 What is in a name? [19659022] Ghostbusters is one of those instantly recognizable, perfect names. It gets to the point, it drives the message home and. . . It was almost not what they called the film.

Dan Aykroyd was the driving force behind Ghostbusters in the early days and developed the concept. He was inspired by a number of personal events, including his family's history in law enforcement. He knew what the film should be called. Unfortunately, a TV show of the same name was previously broadcast, which forced a legal dispute over rights. [5]

After waffling between horrible alternatives like Ghost Smashers the studio was able to work out a deal for the film title, with the original company securing the usage rights. But the uncertainty led to something even more iconic. . .

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5 No Spirits Allowed

During the film title debacle that linked naming rights to a large part of the production, the team needed a logo for early promotion . So they created a logo that no doubt expressed the feeling of the film without a title. [6]

So the world got "Mooglie", the comic book spirit that we & # 39; We have all seen them caught in the red line and in circles (the universal "no" symbol, as in "no ghosts") on lunch boxes, billboards, posters and much more. Once the naming rights were established, the official Ghostbusters title was added under the logo (with the logo also replacing the letter "o" in "Ghostbusters"), creating the iconic poster that we all do since then have seen

4 Work For It

Some actors will do everything they can to prove that they are the right choice for the role. Fresh from the success of Alien Sigourney Weaver wanted to make it clear during her audition that she can play every role to perfection.

When she appeared for the reading, Weaver told the producers that Dana's character should do this, turn you into a dog, and that she could play this role better than anyone else. She started barking, gnawing on the pillows, and terrorizing the room. [7]

Reitman cut the film and asked Weaver to "[never] do it again". He also immediately called Harold Ramis (Egon) and told him that they had found their actress. Unfortunately, this scene was never filmed. But obviously Weaver was ready for anything to throw at her.

3 Not strictly legal

A big surprise for Ghostbusters fans is that much of the film was not made in Manhattan. For a film that captured the feeling and mood of New York in the 1980s so perfectly, relatively few pictures were taken within the city limits.

Timetables and New York crowd control made it almost impossible when Los Angeles was already perfectly set up to deal with this. Another problem was shooting permits, which were difficult to get in New York City.

The team decided to become villains and shoot as much as possible there as long as they could. This put her in hot water at local New York law enforcement agencies, especially where the assembly scene was filmed on the first day. In one scene, someone who looks like a security guard chases the cast while Dan drives the Ecto-1. [8]

2 Sometimes it just works

The theme song for Ghostbusters is by far one of the most easily recognizable songs in the history of cinema. Three notes and most fans are already fluctuating.

Surprisingly, the song – written and performed by Ray Parker Jr. – was actually done in just two days. It was an instant classic that came out in record time.

Unfortunately, that wasn't the end of the deal. Huey Lewis, who was originally involved in writing the title song, sued for infringement proceedings over his hit "I Want a New Drug." The case was settled out of court. So now we still have the funky classic of the 80s, which reminds us "who you are going to call". [9]

1 Who will you call?

In films it is a running gag that phone numbers are almost always fake. The default area code "555" goes nowhere to protect innocent people from being chased on their phone lines. One example is the unfortunate list of people who could be reached at 867-5309. This number was repeated several times in the texts of Tommy Tutone's 1980 hit "867-5309 / Jenny".

Ghostbusters was different. In a fake TV commercial in the film, the team emphatically says: "We are ready to believe you." The 555 number that flashed on the screen was live at that time. During operation, line 1-800-555-2368 received approximately 1,000 calls per hour and played a recorded message from Peter Venkman (Bill Murray) and Raymond Stantz (Dan Aykroyd). [10] [19659009] + The Mandela Effect

An additional treat in the tradition of Ghostbusters contains a strange Mandela effect in the original script. One scene did not quite fit into the film and left many viewers (especially younger ones) somewhat confused. (You can see it in the video montage at 2:48 am above.)

Most fans remember that Aykroyd's character got a pleasant surprise from a ghost hovering over his bed in the fire station. However, if you look at the scene again, you will find that the team is not in the fire station and Aykroyd is wearing an 18th century military uniform.

What is there?

As it turned out, the whole scene was part of a subplot created to give Aykroyd's character a love interest. It took place in Fort Detmerring (spellings vary), where the team conducted an on-site investigation. It didn't fit in the movie and the storyline was complicated enough. So they cut the subplot, but that one scene did it and created a lot more questions than answers. [11]

++ Truth is stranger than fiction

So where does an idea like Ghostbusters come from?

For Dan Aykroyd, who developed the idea and brought the team together, it came from his own life. Aykroyd's family was very interested in spiritualism and occultism when he grew up. His father and grandfather often held seances at home to communicate with the dead. Dan Aykroyd was once a reserve commander from the Harahan, Louisiana Police Department, who carried his badge everywhere.

The film idea merged with the concept of a comedic paranormal investigation service to catch ghosts. The rest, as they say, is history.

Of all the actors, Aykroyd still believes very much in the paranormal and is fascinated by it. In fact, his father, Peter Aykroyd, wrote the book (or rather "the encyclopedia") about ghosts in A History of Ghosts . It was released in 2009 when Peter was 87 years old. [12]

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About the Author: Jason Stokes is the author and owner of Gestalt Media, an independent publisher. @JSGestalt

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