Why were there no great artists? was written by Linda Nochlin one of the most important feminist art historians. This special text appeared in 1971 in the issue of ArtNews, which was about the liberation of women, artists and art history. At that time, Nochlin taught art history in Vassar and after reading second wave feminist publications such as Redstocking's  newsletter and Everywoman took her work to another Direction. The following year, during a closing ceremony by Vassar, Nochlin talked to an art dealer Richard Feigen, who expressed his desire to represent female artists, and asked her a simple question: Why are there no great female artists who persecuted her and gave birth to this essay? and the milestone of the international exhibition Female Artists: 1
After it was published, it almost instantly became an influential text since Why were there no great female artists? was the first major work of the subject. Nochlin pointed out that Art History is a male-dominated Western construct by introducing its innovative methodological approach in four chapters ( The Question of the Act The Fulfillment of the Woman Successes and Rosa Bonheur ); The renowned art historian argues that " the feminist art historian should take apart, analyze and question the social and institutional structures that underlie artistic production, the art world and art history ."
Essay Essay is crucial to understanding the need for a feminist intervention based on the rejection of unequal and unjust principles the discipline of art history is dominated by binary oppositions (men / women, black and white, heterosexual) / gay, cisgender / Transgender).
Selected Image: Artemisia Gentileschi – Judith Beheading Holofernes, 1611-1612. Oil on canvas, 158.8 x 125.5 cm. Museo Nazionale di Capodimonte.