First contact is concerned with overcoming past traumas. Then came uprising, which deals explicitly with the realities of aging. The film is about a planet that grants eternal youth to its inhabitants, which has a physiological effect on the crew. They experience emotions in their teens, and poor Worf has to go through Klingon puberty again . In her last film, Nemesis wrestling with your past is treated very literally while Picard fights against a young clone of his own. It is all of these recurring fears that manifest themselves in the form of Tom Hardy.
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and we are supposed to film his first scene TODAY ! There is a new Hellraiser that revises two sound stages. "width =" 350 "height =" 1
These are ten whole films in which almost everyone is researching fears of becoming irrelevant, being replaced and no longer existing.
Then the reboot came.
In the new" Kelvin Timeline "- Filming is not necessarily about the rigors of the golden years since there are a number of attractive young people to be seen here, which is fine. Make a few films about the ambitions of young people. For some reason, however, these films focused on the story – To recreate beats from previous films that felt weightless without the context of life experience.
In Star Trek Into Darkness Kirk fights Khan again – that means something for the audience, but nothing for Kirk who never met this (inexplicably white) guy. They even restore Spock's death scene, but Kirk bites on it instead. Not surprisingly, it fades compared to the original, which a decades-long friendship is tragically ended by an act of self-sacrifice. In contrast to two guys who until recently hardly knew each other and hated each other. (Even the guy who dies is revived only about 10 minutes later.)