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How about being a quarter of an inch tall? Cinema goers in the summer of 1989 were determined to find out. They flocked to the cinemas to see the children of Szalinski and Thompson dodge drops of water the size of cooling water, make friends with a giant ant, fight a scary scorpion, and enjoy a massive biscuit filled with cream. Honey, I Shrunk the Kids with Rick Moranis is often seen as the epitome of a live-action Disney film, but its roots are in the horror film genre. Here are some surprising facts about the film that is to be restarted with the kind permission of Disney – with Moranis returning.

. 1
Stuart Gordon, the horror director of re-animator had the idea for Honey, I shrunk the children .

Stuart Gordon was not the first filmmaker you would think to make a Disney film. With a background in experimental theater – including a trippy, nude version of Peter Pan – he made a name for himself with Campy horror films like 1985 re-animator about a scientist who awakens the dead back to life and 1987 Dolls about a murderous collection of dolls (slogan: "They go. They talk. They kill."). After becoming a father, Gordon decided to make a children's film. Along with Brian Yuzna, who had worked with him on re-animator and Dolls writer Ed Naha, Gordon had an idea for a film about an unfortunate inventor who accidentally reduced his children and size throws them out with the trash. He brought the idea to Disney, who loved her, and gave Gordon the go-ahead to direct.

. 2 Honey, I shrunk the kids The original title was Teenie Weenies .

The title was a nod to William Donahey's comic from the early 1900s, depicting the adventures of a tiny, harmless group of characters. Disney managers hated it and thought the title would scare adult movie-goers. So Gordon and Company changed the title to Grounded then to The Backyard before deciding to borrow a line of dialogue Wayne Szalinski told his wife Diane.

. 3 Disney was very nervous about honey, I shrunk the kids .

Although Disney was thrilled with Gordon's idea, they weren't exactly confident that the horror director could deliver a family-friendly feature. "Disney was afraid that I would kill all the children," Gordon said in an interview. "And I kept saying: & # 39; No, I'm not going to kill them. But I want the audience to think they could die. & # 39; Disney's fears extended to the creature effects of the film – especially Anty, the heroic ant. [19659008] The studio told Gordon they wanted Anty to look less like a real ant and more like ET. "I said," Well, ET scared more children than an ant, "said Gordon. To convince the brass section, Gordon invited them to the workshop where the robot puppet crew put the finishing touches on. Gordon had Anty stroke him like a horse to show how kind the creature could act, and the executives were simply convinced.

4. Joe Johnston replaced Stuart Gordon as Honey, I shrunk the director of the kids in the 11th hour.

Just as production was about to begin, Stuart Gordon fell ill and had to leave the set. Since Disney couldn't delay the shooting, he got Joe Johnston, a visual effects specialist who worked on Raiders of the Lost Ark and all three Star Wars films t had. It was his first directorial assignment. After the success of Honey, I Shrunk the Kids Johnston directed The Rocketeer Jumanji Jurassic Park III and most recently Captain America: The First Avenger . Meanwhile, Gordon finally got his chance to direct Honey, I Shrunk the Kids – but 10 years later, when he directed an episode of the television show that ran for three seasons in the late 1990s.

5. Honey, I shrunk the kids was shot in Mexico City.

If you thought the California suburb and the Szalinskis back yard looked like real business, think again. The entire set – including several houses with white picket fences and manicured lawns – was built on a piece of land at Churubusco Studios in Mexico City. Churubusco was founded in 1945 and was the epicenter of Mexican film production in the 20th century and a favorite of cost-conscious American producers with scenes from Butch Cassidy and the Sundance Kid Total Recall Free Willy and numerous other films made there. The stage work is very convincing, but there are a few seams that show up: if you look closely at the scene where the postman walks through the neighborhood, you can see the bars in the back plot wall, which have been painted blue to standing in the sky.

. 6 Anty needed up to 12 workers to operate.

The heroic ant, who becomes friends with the small children Szalinski and Thompson and (SPOILER ALERT) tragically dies in the fight against a scorpion, made great efforts to bring them to life. The special effects team created several versions of Anty, including a miniature for stop motion animation sequences. Most of the scenes in which Anty interacts with the actors concerned a large robotic manikin, whose legs, eyes, head and antennas were controlled by separate crew members. "It takes between seven and twelve people to get the ant up and running," said Peter Zamora, the film's miniature assistant, in a making-of documentary.

. 7 Look closely and you'll find that Marcia Strassman's hair was two different

Two weeks after filming began, Marcia Strassman, who played Diane Szalinski, received a message from Disney boss Jeffrey Katzenberg asking her to change her hair color from to change red-brown to blonde. Strassman agreed and kept her hair color in the sequel, 1992 Darling, I blew up the child . "We said," But we've been shooting for two weeks, "said Strassman to The Philadelphia Inquirer ." And [Katzenberg] said, "Nobody will notice." And nobody did it. Nobody noticed that my hair in this film has two completely different colors. "

8th Darling, I shrunk the children The stage designers used a lot of foam.

From giant bristle bristles To set up towering blades of grass, the stage designers of the film were masters of latex and polyurethane foam To show how the children were swept into Wayne Szalinski's dustpan, the designers attached the giant foam bristles to a hanging screen that spanned the stage. The giant biscuit filled with cream was also made of foam, into which the children had mixed cream so that they could shovel it into their mouth.

9. Honey, I shrunk the children & # 39; s bumble bee flight required some technical magic.

After The film standards of the 1980s and even today's standards include the bumble bee ride that Nick Szalenski and Little Russ Thompson take impressive. A huge bee model for close-ups with the acto rs was required to create the sequence, along with a longer shot from a camera that flew through the back yard of Szalenski. Quite normal stuff, but visual effects led Tom Smith to add a third element: a small robotic bee worth $ 30,000, with miniatures of the actors on top. The fine movements of the robot bee were spliced ​​against the green screen with the close-ups and then post-processed with some additional digital effects to create the final sequence. "We were able to cut and mix them quickly enough so that when you see it, there is an incredible feeling of flying," said Smith.

10th Honey, I shrunk the children The animated opening credits were groundbreaking.

The film opened with an animated sequence that shows two tiny children skillfully materializing credits running from a record pin, a typewriter and other menacing everyday objects. According to the graphic design website Art of the Title, the sequence created by Kroyer Films was one of the first to combine hand-drawn animation with 3D models. The team that created the sequence consisted of Andrew Stanton, who worked on Toy Story Monsters, Inc. Finding Nemo and . WALL · E together with Eric Stefani, a celebrated animator and brother of Gwen Stefani. This year, Kroyer produced animated sequences for two other films: Troop Beverly Hills and National Lampoons Christmas Holidays .

. 11 Honey, I Shrunk the Kids The opening credits were also the cause of a lawsuit.

The score written by James Horner, which is included with the animated credits, sounds very similar to the song "Powerhouse, 1937". ”By jazz composer Raymond Scott – a little close according to some estimates. Scott's estate sued Disney for failing to credit the composer. The studio resolved the case out of court and ensured that the property received a reasonable proportion of future license fees.

12th Honey, I shrunk the kids was a surprise hit.

Honey, I shrunk the kids $ 14 million on the opening weekend was the biggest opening for a Disney film – with a long shot. It was also a surprise for the studio as the film was no sequel and had received mixed reviews from critics. "Our persecution showed that the film was known out there, but nothing made us believe that it would do what it did," said then Disney boss Jeffrey Katzenberg at the time. In total, Honey, I Shrunk the Kids would earn more than $ 130 million domestically and $ 92 million worldwide.

. 13 Batman contributed to the success of Honey, I Shrunk the Kids .

Honey, I Shrunk the Kids was opened on June 23, 1989 – on the same day as Tim Burton's Batman who was number one at the box office and had fans who loved each other started around the block to see it. According to the Los Angeles Times and other sources, many theatergoers who could not see Batman chose to see Honey, I Shrunk the Kids . help bring this film to number two at the box office.

fourteenth Disney has revived the long dormant animated short film with Honey, I Shrunk the Kids .

Anyone who saw Honey, I Shrunk the Kids in theaters can remember the animated short film . Tummy Trouble with Roger Rabbit, who preceded the film. The seven-minute romp, in which Baby Herman, a swallowed rattle and a hospital stay that went wrong, was the revival of the short films that the studios often played before a feature film presentation. It was Disney's first "short film" in nearly 25 years and one of several that the studio released to increase the popularity of classic characters like Mickey Mouse and Donald Duck among younger audiences.

Given the popularity of Who Framed Roger Rabbit released last year, Disney suspected that his goofball bunny would also increase audience numbers for Honey, I Shrunk the Kids . In fact, despite the different terms, Disney gave the two productions the same space on billboards and print ads.

15th Honey, I shrunk the kids received an award for poor grammar.

As any English major can say, Honey, I shrunk the children is not a grammatically correct title (it should be "Shrank"). This was publicly ridiculed by SPELL, the Society for the Conservation of English Language and Literature, which awarded the film the 1989 Dunce Cap Award. A Disney manager quickly returned that the mistake was deliberate as it came from a number of sources in the film's dialogue (and the mistake certainly didn't do anything to hurt the film's box office).

sixteenth It took 20 years for the soundtrack of Honey, I Shrunk the Kids to be released.

Aside from the film's controversial opening theme, the music by Honey, I Shrunk The Children are not particularly memorable. Therefore, the film music was not later released as a soundtrack. The composer James Horner, who previously made aliens and Cocoon became increasingly popular in the years to come when he made films such as Field of Dreams Braveheart Titanic and Avatar . The demand for the score also increased when Honey, I Shrunk the Kids became a reliable cable repeat. In 2009, the tiny music label Intrada released a limited edition of 3000 copies of the soundtrack Honey, I Shrunk the Kids . It's sold out, but if you only have to have classic tracks like "Watering the Grass" and "Lawnmower", you can buy a used copy for around $ 60 at Amazon. Unfortunately, Horner was in a plane crash in 2015.

17. Only one of the young actors from Honey, I Shrunk the Kids is still working.

For the young actors in Honey, I Shrunk the Kids the box office success did not lead to a long-term career success. Robert Oliveri and Jared Rushton, who played the young Nick Szalinski and Ron Thompson, gave up acting in the 1990s. The same goes for Amy O & # 39; Neill, whose only other important role was in 1993 in White Wolves: A Cry in the Wild II (although she was in a role uncredited earlier in Baskets appeared). Only Thomas Wilson Brown, who played Little Russ Thompson, continues to appear in films and TV shows, and only sporadically.

The adult ensemble, meanwhi le fared a little better. Matt Frewer (Big Russ Thompson) has worked continuously in films and television series such as Orphan Black and 12 Monkeys while Marcia Strassman, best known for roles in M * A * S. * H and Welcome Back, Kotter performed regularly in shows like Tremors Highlander and Providence on tragic death from breast cancer in 2014. [19659002] 18th Rick Moranis retired from acting in the mid-1990s, but is coming back!

In the mid-1990s, Rick Moranis went completely off the radar to focus on raising his two children after his wife passed away. In recent years he has said that he would return to acting if the right role was there, and in 2018 he appeared briefly in the sitcom The Goldbergs in which he played his role as Dark Helmet by Spaceballs . More recently, on February 12, 2020, it was confirmed that the 66-year-old actor would officially retire to appear in Disney's scheduled restart of Honey, I Shrunk the Kids .

19th Honey, I shrunk the kids is basically a horror movie.

Consider the evidence: it has an obsessive scientist, giant beetles, near-death by lawnmowers, and a Freudian nightmare of a father who almost eats his son. The allusion to horror films from the past was intended on the part of Gordon, who regards the film as a homage to horror night films such as Attack of the Crab Monsters and The Incredible Shrinking Man . In the last interviews, he has to deal with other horror films that he has made. "Really, it's not that different from re-animator ," Gordon said. "It's about a mad scientist and an experiment that goes wrong, and so on. The potential to sever some heads was there when a giant ant with these big mandibles came up to you. Who knows what could happen?" [19659055] (function (d, s, id) {
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