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15 worth knowing about Battlestar Galactica

In the early 2000s, a producer named David Eick and a writer named Ronald D. Moore began collaborating on a 1978 reboot of a sci-fi television series that many in the world did not seem to remember. Working on their own narratives of the past and the fears and worries of the US after September 11, they began to construct one of the most famous series of the 21st century, the great science fiction stories of all time.

The road to Battlestar Galactica which became a giant of television in the 2000s, was not easy. Their creators battled through uncertain, early plans, a fandom that hated the idea of ​​restarting, and a supposed "plan" that did not really exist to develop a new vision of sci-fi television. To celebrate the 1

0th anniversary of the Series Finals, 15 facts about Battlestar Galactica

1 are listed here. It was not the first restart attempt.

The conversation about the return to Battlestar Galactica – 19459004 universe lasted until the 1980s when franchise creator Glen A. Larson repeatedly promised that a sequel would come. In the late 1990s, this promise seemed a little more likely, though it may not have been what Larson originally intended.

In 1998, it took on Richard Batch's star-star from Battlestar Galactica (19459005). Try reviving the series with a project he named The Second Coming taking credit cards and spends more than $ 50,000 of his own money to fund a proof of concept trailer that he hoped would lead to a new life Battlestar Galactica . Hatch has completed work on the project in 1999, but the project never came to viewers on conventions. Meanwhile, Larson had begun to develop his own new story, focusing on the battleship Pegasus, which was to receive its own film by producer Todd Moyer. When 1999's adaptation of the video game Wing Commander produced the Moyer, flopped at the box office, his Battlestar Galactica project also disappeared.

The revival of Battlestar Galactica was yet to come, however, and when Bryan Singer re-celebrated the success of X-Men he wanted to continue the franchise with a new television series executives desperately wanted working on the Fox network. According to production director Todd Sharp, this version, which was described as relatively faithful to the original series in comparison to the upcoming series, was such that it designed ships and built early sets when Singer instead opted for X -Men Franchise for X2 . When the estate was back in the air, Universal Cable Entertainment President Angela Mancuso recalled Battlestar Galactica looking back at the old Sci-Fi channel (now Syfy). For this, Mancuso turned to the executive producer David Eick.

. 2 It was inspired by 9/11.

By the time Battlestar Galactica made his way to Ronald D. Moore, a veteran of three different Star Trek TV series by then, there was still only one potentially profitable property that Universal wanted to revive. When Eick had a general assembly with Moore, he did not even want to mention the prospect of another science fiction series, but this was in late 2001, just months after the September 11 terrorist attacks, and Moore saw parallels in the original series that he could explore.

"There is a good chance that the show would have taken place even without 9/11 because they were just looking for someone who could use the title in the library. And it was not because of 9/11 that they saw value in it. It was just a market title, "Moore recalls. "I think that was on a separate track. I think it would have definitely gone in a different direction, if not for September 11 and the aftermath – the war in Afghanistan and then Iraq, the Patriot Act and Guantánamo and all these things – had one So strong influence on the world Show that if none of this had happened, it would be hard to imagine that the show would have evolved in the same way. "

. 3 Star Trek Frustration helped make this possible.

Ironically, Eick was worried that Moore did not want to record another science fiction series after years of writing Star Trek was part of the appeal for Moore that he could do something that did not was like the popular franchise he had just left. Although Moore had worked many prolific years on television series and feature films for Star Trek it was his frustration over the limitations of franchise storytelling, in particular Deep Space Nine that upset him at Battlestar Galactica work.

"All this was the beginning of my thinking:" If I had to do this, what would I do? What would I do? & # 39; I would shoot it differently. I would agitate these characters even more and in many ways would be riskier than what we wanted to do in Star Trek "Moore said. "And I'm tired of the big screen and I'm tired of the captain's chair and I'm tired of how the ships are moving in space. Why do not they move as if ships were really moving in space? There was a lot of such thinking in all the years when I had the opportunity later … well, you can really do a show. All these things were done. I had already thought deeply about her. I was ready to implement it. "

. 4 The original plan was to continue exploring the fleet.

Battlestar Galactica returned to television at a time before streaming and DVRs became widespread, and a time when network managers were still worried that serialized storytelling would shut down viewers, who get confused when they miss an episode. This meant that while Moore and Eick were interested in a serialized story, the first season of the show had to take a more episodic turn. According to Moore, this was originally in the form of episodes designed to explore various types of colonial fleet. There was only one problem: sets are expensive.

"The first approach was for the characters to bring the characters to different ships in the fleet, including ships that served as hospitals, prisons, schools, and even shopping malls." We had the idea of ​​the Ragtag fleet as ours World and our community, and we could tell many different stories, "said Moore Empire . "But for practical reasons, that did not work out. We made the prison ship very early when we founded Tom Zarek and almost broke our budget. Quickly we realized that we could not do that as often as we thought, and so all these stories and ideas were suddenly wiped off the table and we focused much more on what happened aboard the Galactica .

Moore began the story with a manifesto.

With a new sci-fi facility and years of experience on Star Trek Moore wanted to draw inspiration from his intentions for Battlestar Galactica – which began as a miniseries before the network finally lit them up as an ongoing series – was clear from the beginning, with a three-page manifesto initially included with the Miniseries script, a document that has become legendary to fans With the title "Naturalistic Science Fiction or Taking the Opera from Space Opera," Moore began the document with a simple but grand mission: "Our goal is nothing less than the reinvention of science fiction television series.

The document was originally proposed by Eick to make the sound of the show better for network managers, but ultimately remained scripted while facing the actors. Although he did not intend to, Moore's manifesto brought some of the show's key stars, including Edward James Olmos, into the series.

. 6 Changing the Starbuck gender was crucial (and controversial).

When Moore began developing his new approach to the series, he sought ways to reinvent the series' original characters, quickly addressing the problem of what to do with Apollo and Starbuck, the two pilots who were the stars of Larson's original series. Moore saw the friendship between a constricted pilot and a pilot pilot as the "cliché" of genre-watching and sought a way to break it. Then he came up with a simple idea.

"And the thought occurred to me," What if we made Starbuck a woman? "I just knew that would change everything. That would change the whole dynamic. She would be an interesting figure, "remembers Moore. "It was just when we got acquainted with the idea of ​​women in combat in the United States. So it was a kind of fresh and new character to play with. That was an early idea, which then had a big impact on the show.

The move, which Katee Sackhoff did not even notice was changed from the original series the first time she offered the role, would prove to be a defining one for the series and a controversial one.

"I thought it might be a little controversy, but I did not think it would be one," Moore said. "Then once it became a matter, then I said," Yes, just stir up the flames, man. We need all the help we can get. Shout over it. Get angry. I need the advertising. You're welcome. Go in chat rooms. Even more men. "Please challenge Ron Moore's head. Give it to me!"

7. The original creator of the show was not pleased with the restart.

When Battlestar Galactica emerged Back then, fans of the original series rebelled against the idea of ​​rebooting and they were not alone Glen A. Larson who had been When he tried for years to revive his franchise, he was also unhappy about the restart and especially the idea of ​​turning Starbuck into a woman.

"This show was my father's legacy, Ron had not made an arbitrary decision to turn Starbuck into a woman, but that was an iconic figure for my father," recalls Larson's son David later on. "To simply say that we're going to the sex exchange, we'll do that, we'll change that, and we'll change some myths, that was painful for I can imagine that every author, every author would have the same instincts. You want to protect your story.

No love was lost between Larson and Moore, especially if the former had asked for the credit restart script, which was up to the decision of the Writers Guild of America. Moore admitted granting Larson a story credit as the original creator of the franchise network, but Larson wanted Moores' televised play, which the WGA eventually granted him, to recognize. It became even more annoying for Moore, when Larson decided not to receive credit under his real name, but under the pseudonym Christopher Eric James.

"So not written by Ronald D. Moore and Glen Larson, which would at least somehow be the case, recognize the roots and my contribution against the creator," said Moore. "It's my name and the name of another man, which seems like I've either been rewritten or someone else has somehow contributed. I never completely forgave him for that. "

. 8 The first screenings were terrible.

The creator's objections aside, the Battlestar Galactica rebooted with the production of the first miniseries, while Moore and Eick wanted to keep the story going. The miniseries worked well. The next obstacle was showing re-footage footage to the fans and testing the audience, which did not prove to be very responsive.

Before the miniseries were ready for broadcast, the sci-fi channel decided to test it in front of a focus group in Houston. The results were … not god.

"I mean, they really like the king hated it," Moore remembers. "The cover page said something like," This is one of the worst tests we've ever had. We see no reason why you want to consider this series as a series. "And the analysis was even worse. They somehow liked Eddie Olmos as Adama, but he was the only one, and even that was a kind of mediocre number. Sci-Fi was in a full panic, but they were already so pregnant with the show. The show was completed.

The hard Battlestar Galactica Even the fans were not happy, as Moore learned firsthand when he visited the Galacticon in 2003 to see some clips from the miniseries.

"So I brought down the house lights, played the show, played them all the way through, and then the house lights went on, and they roared and hissed. They really did. I think it's not good. I am like & # 39; Holy sh * t & # 39 ;. And then it was & # 39; Okay & # 39; Time for questions. "So I take questions from the audience and they were tirelessly hostile. Did not like it, thought it was an affront, thought it would be an insult to the original show and terrible. And they hated Starbuck "remembers Moore.

Ironically, it was the original star Richard Hatch – who was against the restart when he tried to forge his own sequel to the series – who defended defended Moore at the convention, standing in front of the crowd and demanding that they show respect to their guests, Moore was so impressed by Hatch's lessons that he considered winning him for a role in the show (if it was still recorded), The Cylons had a plan, but the writers did not.

One of the hallmarks of the revival of Battlestar Galactica was the decision not only to turn the Cylons into metallic centurions Who would be revealed in the course of the series? Originally, Moore and his company planned the idea of ​​the Cylon sleeper agents to be an even more subtle element of conspiracy than it eventually became. Moore compared the Cylons to a "shark," something we would not see much in the series, in part because the writers of the series still found out who the Cylons were and what they wanted.

"It Were Never Earlier It's not a clear idea of ​​what the Cylon mythology would look like in general, or how it would be put together, but there was a belief that we would find all that out as we went on," recalls Moore. "That essentially meant The show began writing to itself from the beginning, and the staff embroidered on discoveries weekly."

The initial approach to the Cylons was so vague that the series' famous opening text, in The Cylons "have a plan" were actually pure marketing copy that was inserted at Eick's suggestion.

"I'm like," But they have no plan, David. "He was like," No, trust me! We'll find out later, there will be a plan someday, "Moore said at the ATX Television Festival 2017." Over the next 14 years of my life, people have asked me, "Hey, what "There is no damned plan!"

10. The network and the creators quarreled over the darkness.

According to Moore, those in charge of the sci-fi network did not try to change the direction of the story But there was frequent discussion about the tone, a former Syfy president of the original content, Mark Stern, also remembered.

"One of my favorite stories about the show is that there was a constant dialogue with Ron and David about it Where this show looks hopeless against a fight? "Star said.

This back and forth is best illustrated by an early call from the network to show optimism in the form of things n like to show birthday parties. The idea is that life in the fleet continues after the Cylon attack. and that people would still find reason to celebrate. Moore and the show's authors celebrated the network, but not what they expected.

"This pilot reaches a series of flights and there is a celebration. Yes, they pull him on the shoulders, and in the middle of the celebration, a bomb shakes and throws himself into the room to blow everyone up, "Stern recalls. "And I was like, okay, got it. Does not want that again. "That was her little 'f ** k' for the network, which I appreciated very much, it was like," Okay, it will not just be hearts and flowers. "The truth is, you always got nervous when you got one The screenplay was going to happen, and a happy ending would happen because you knew, "Oh, that's not going to last."

11. "Frak" was a license to curse as much as the show wanted

One of Battlestar Galactica's 's great contribution to the pop culture lexicon was the use of frak ] as an alternative curse word, according to The word was used in the original series, but not nearly as much as the reboots did in scripts, when asked why this was the case Moore had a very simple answer.

"I just said," This is a big one "Like the opportunity f ** k over and over again to say he said. "This is just a license to kill, so I'll do it over and over again."

12th Edward James Olmos was a real leader of the cast.

Edward James Olmos initially hesitated to take over the role of Admiral William Adama, in part because his background came in the science fiction class Blade Runner . and he was afraid that the series would not take storytelling seriously. Convinced of the scripts and Moore's manifesto, Olmos joined the series and immediately made it clear that he would not be angry with storytelling about mocking up the cast and asking them all to take it seriously.

"What I really got was the passion and dedication," said James Callis, who played Gaius Baltar. "For all of us, we were really led by Eddie and Mary [McDonnell, who played Laura Roslin] for example. These two incredible professionals gave us everything . "

Olmos' commitment to directing the cast was extended to the first time he used his now iconic slogan," We all say so ". The line was not intended The rest of the cast is repeated in the top band, but Olmos has committed himself to the line and kept saying it during the first shoot until his castmates followed him.

"You can see it in the take; They all look at each other and go, "Let's all say." And then he insists, "remembers Moore. "He says it's louder and he just pushed and squeezed it until it became a big thing on stage. But it was just something that Eddie was developing on his own at the moment, and then it became a signature on the show. That was a big deal. "

. 13 A writer's strike almost forced him to an early end. [194559005] Battlestar Galactica was in the middle of the last season when a major strike hit the Writers Guild of America, even forcing Moore and the writer to stop working while the show continued to film the screenplays she had in Vancouver. At the time, the latest scripts were "revelations" in which the colonial survivors arrive on the planet, which they believed would only find a barren wasteland on Earth. Moore flew to the set of the show to make it clear that the show was supposed to shoot as long as possible, and although he hoped the show would continue after the strike, he was not sure how long the strike would last would. [19659002] "You really did not think [Sci-Fiwouldbreakofftheshowbutyou'restartingtotalkmoreaboutitandworrymoreaboutitItwasintheairInretrospectyoulookbackandfindthattheyprobablywouldnothaveannulleditunlessthestrikelastedayearorsoButbackthenitwastheuncertaintythatwasreallyabigdeal"herecalls

Of course, the strike ended eventually, and the authors began to work on the show's final episodes. [19659003] 14. The authors were also unsure what happened to Starbuck.

One of the great mysteries still tied to the show is exactly what happened to Kara "Starbuck" Thrace, who seemed to die in the third season of the show, only to mysteriously re-emerge the season's finale 3 after two months absence. She is then the character who inserts the coordinates for the blind jump that leads the fleet to our earth and then vanishes in the final of the series. A series of fan theories for what happened to Starbuck, what she really was after she returned to the series, and what her role in the story is, since she's born, but if you're looking for specific answers, turns out that this is not the case The show's writers have them – partly because they did not look for it.

"I can tell you that there were several theories in the writing room, who Kara Thrace really was, how she came back and why she returned in the end, she disappears," recalls writer / producer David Weddle. "We have never responded to these questions concretely and I do not think we should ever do that. The opinions of the authors in the room are the same as the opinions of the audience. It is open to interpretation, and there are several ways to interpret it. It's a fantastic journey for the character, and I'm so proud of it. "

15th A movie is still possible.

Battlestar Galactica completed its celebrated run on Syfy in the spring of 2009, but the story was not quite over yet. A television movie titled The Plan followed in 2010 as well as a short-lived prequel series called Caprica co-created by Moore and running for one season. Another potential prequel series, Blood & Chrome was realized in 2012 as a 10-part web series that was later compiled into a 2013 television movie. When these spin-offs took place, Universal was already exploring other options for the franchise system, including a large-screen reboot that Moore had experienced only in Hollywood.

"I was very upset. I just went home, "Moore recalls. "Syfy called me and they said, 'Oh, we're so sorry. This was not handled well. "And I was like" F ** kin "A, it was not handled well. What are you talking about? We are on the air! It was maybe during Caprica but it was right there at the end. I said, "The body is not even cold, for the sake of the cause. "

Although the development of the reboot was announced several years ago, it is still progressing. Westworld (19459005), co-designer Lisa Joy, contributed a draft of the script , and Francis Lawrence ( The Hunger Games: Mockingjay ) is attached directly.) In December 2018, it was reported that 19459004 the girl in the spider web the writer Jay Basu joined the project to submit a new draft

Additional Source ]: So we all say: The complete, uncensored, unauthorized oral story of Battlestar Galactica by Mark A. Altman and Edward Gross

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