Dance is an important facet of a culture, so it is not surprising that some dances have a very rich and unique history. Many have emerged not from the happy festivals in which they were later performed, but from much darker times of a people's past.
Dance was a way to escape oppression or express itself when society silenced you. And even if a dance is just fun and games, some people still find a way to turn it into something that should never happen.
10 Gumboot Dancing
During the apartheid era in South Africa, when racial segregation laws were introduced to keep whites in power, black miners had to work in dangerous conditions. Apart from the fact that many mines prohibited their workers from even talking to each other, the owners of the white mine considered it inefficient to handle the flood problems of the mines. Instead, they gave their workers rubber boots to avoid health problems that prevented them from working.
Not being able to speak was a hindrance to the work, and staff quickly developed a Morse code system to help them communicate their boots with slaps by sending slaps to send messages. It seemed catchy because the workers eventually developed this system to turn their rubber boots into a dance style.
The miners came from different parts of Africa to work, and so a variety of cultures contributed to the creation of rubber dances. Tribal costumes were banned during this dark period in South African history, but the movements of traditional dances have been integrated into a style that has become a new kind of dance. [1
Dancing was not among the rules that controlled mine operators. As a result, songs were also included in the style that evolved into today's whole-body dance.
9 The Dance of Death?
The Dutty wine is a dance that started in Jamaica and includes wild cervical vertebrae. The dance is so intense that some Jamaican physicians warn potential Dutty winners from performing it. Doctors say that dancing, especially the swirling of the neck, puts too much strain on the spine and can harm the dancer.
Some doctors say that the dance can be performed without any problems with proper training, but others claim that the moves are correct, no matter how much physical preparation the dancer has done. They warn that the dance strain the neck and spine too much to run away without injury.
Nevertheless, the dance became more popular when the Jamaican DJ Tony Matterhorn created a song of the same name. The dance spread beyond Jamaica and eventually overseas, where Beyonce also used it in one of her videos. 
This happened despite rumors that the Dutty wine was the cause of an 18-year-old's death. She allegedly made the Dutty wine when she died in a dance house. However, it is unclear whether the dance itself was responsible for her death or whether the blame lay elsewhere.
8 The Hokey Pokey
200 years old and hotly contested
It is strange that "The Hokey Pokey" (also known as "The Hokey Cokey") is anything but a simple, funny song that everyone knows, enjoys and enjoys he dances a bit. But it actually has a long, complicated and controversial history.
One of the earliest versions of the song was the "Hinkumbooby," a Scottish folk song that was mentioned in the 1826 popular Rhymes of Scotland . This variation was similar to the modern song, and other versions were also created over the years.
Some people even claim that "The Hokey Pokey" was not fun and games at all, but a ridicule from the Catholic masses. They say that the name actually comes from "Hocus Pocus". But it was not until songwriters in Britain and the US claimed it, that it got really hot.
A dispute erupted on the east side of the Atlantic after two men claimed they had written a song called "The Hokey Cokey". Both said they originally called it "The Hokey Pokey," but changed the name when a Canadian soldier suggested the word "cokey" was better than "Pokey" because it was Canadian slang for "crazy." 
The lawsuit was settled out of court.
Similarly, in the United States, another lawsuit between two different groups claimed to have written "The Hokey Pokey". This fight apparently ended with the distribution of royalties.
7 The Hula is a story
While Hula's films are often stereotyped, grass skirts, coconut bras, and swaying hips do not grasp the whats true of hula. The old hula was accompanied by sung poetry, and every gesture of the dance had a deep meaning.
It was the sacred text of the Hawaiian people, written on the move, a traditional method of sharing legends and shared stories from generation to generation. Hula is a story.
Hula was banned by the missionaries who landed on the island in the 19th century. They considered it a pagan practice and condemned it. Soon, hula and Hawaiian culture generally disappeared slowly until a cultural explosion in the 1970s revived traditional dance.
There are now two types of hula. Hula Kahiko returns to traditional methods and uses percussion instruments and songs that tell stories about ancient ways and gods. Hula & # 39; auana is the more intimate style of contemporary culture, with graceful movements performed on more modern instruments. 
Regardless of which style is performed – and there are many subdivisions -, Hula was never supposed to be a simple dance. It is a spiritual exercise to tell the story of one's heart, which is why there may be so many practitioners around the world.
6 Dance or brawl?
The Tinku is Bolivia's national dance. It has its origins in a tradition in which various communities in a particular area gathered to resolve tensions by starting a dance that broke out into a ritualized brawl.
The Tinku consisted of forming dance groups separated by gender. It started at a fast pace, kicked and eventually turned into a ritualized fight. Spilled blood was considered an offering to the gods for a good harvest. And all the deaths that occasionally occurred because of the nature of the festival were also considered victims.
The modern Tinku looks a bit similar to the original practice, except that the fight (ideally) was reduced to ritual combat-like movements. However, the festival, which features Tinku is usually associated with heavy alcohol consumption, and tensions between communities or neighbors can still turn into brawls. 
Tourists visiting the festival Bolivia said during the festival that the Tinku was indeed a spectacle, but they did not want to repeat it. During this time, the tensions for everyone can be very high, and it was recommended not to make any provocative gestures to prevent the visitors from being involved in the tinku themselves.
5 The Chicken Dance Is Not A Chicken Dance
Most people are familiar with the silly, wordless (but not always) popular "chicken dance" song at parties. But nobody knows who first called it the chicken dance. Originally, it was in no way associated with chickens.
Originally called "The Ententanz", it was composed by the Swiss accordionist Werner Thomas, who performed it in his local restaurant. Spontaneous dancing erupted from the audience, so Thomas finally made more bird-like movements and renamed it after the sound of birds in "Tchirp-Tchirp".
Although it was a hit in his city, the song disappeared to a Dutchman in the dark The publisher liked it, added words and spread it throughout Europe. Even then it was not a chicken dance. Instead, it was called "Little Bird Dance" or "Birdie Dance".
In both Europe and the US, dance had the history of being thrown around until it finally made it big and famous after years of humble recognition. The publisher Stanley Mills acquired the rights to publish in the US, but called it only "Dance Little Bird", as this title sounded commercial as "Little Bird Dance", as it was known in Europe.
Mills also added English text to the song, but they have never really understood. Only when a record label called Mills for the "Chicken Dance" did it get its popular name, seemingly out of nowhere. 
4 The Sacred Dance Outlawed By the British
The female costumes of the Manipuri dance can be unique. Some are long, stiff skirts decorated with gold, silver, and mirrors, giving the dancers the appearance of wearing fashionable barrels. The rotational movements of the dancers can have an almost mesmerizing effect.
The dancers of the Manipuri region were referred to as "Gandharvas" in ancient Vedic texts. They used their dances to celebrate Hindu values and spirituality.
For this reason, Christian missionaries actively discouraged dance when the Manipuri region came under British colonial rule. The government soon banned all dances in Hindu temples in the hope of stopping spiritual and cultural dances like the Manipuri dance.
Nevertheless, the dance survived in secret. After the Indian Liberation Movement arrived, it was revived along with many others. Although many Indian dances again became public traditions, the manipuri dance was especially helped when the Nobel Prize winner Rabindranath Tagore was inspired by him. 
He invited a famous Manipuri dancer Join him in an Indian cultural and study center. The Manipuri dances were dance dramas that told ancient Hindu stories, and his work helped to rekindle interest in and knowledge of ancient practices.
3 Physically Integrated Dance
Physically integrated dance is not what people imagine when they think of dance. There are people with and without disabilities who share the same stage and dance to the same piece of choreography. While some may find the dancer with a disability less important, the physically integrated dance creates a choreography that expresses the unique qualities of all dancers.
There are many types of physically integrated dance with styles ranging from traditional ballet to modern contemporary dance. The dances are like showcases of different body types (though not in a compassionate or exploitative way). They are traveling in what everyone can.
Dance is often a challenge for critics and audiences. Critics do not want to criticize disabled performers, and dance groups like The GIMP Project challenge audiences with monologues that explain what viewers think when they watch the performance. 
The style of dance was not developed to compensate for disabilities, but to create new dance forms that are not possible under normal circumstances. For example, a dancer without legs will work with another performer to create a unique kind of aerial silk act.
Nevertheless, directors of dance companies often meet those who pity the disabled dancers and do not tie them to the standards of others in their field.
2 "La Cucaracha" has no standard texts
The origins of "La Cucaracha" ("The Cockroach") are anything but clear. While most attribute it to Mexico, it has only gained popularity there, especially in folk dancing. Some books have it from the reign of Ferdinand and Isabella in Spain. Others report that it was brought to Mexico by Spanish Marines across the Atlantic.
The song is mainly associated with Mexico, as it was used by both sides of the Mexican Revolution as propaganda (and probably just for pastime).  The texts of "La Cucaracha" have been modified according to the values of the people who sang them. It has often been heavily influenced by the events of the time in which it was sung. This was especially true for political events. 
The lyrics usually focus on one person – the "cockroach", after whom the song is named. Whoever the cockroach is, determines the lyrics, which are metaphors for any shameful dealings that the singer / songwriter considers possible.
With such a rich history, the song has undergone many revisions. It may be better to think of "La Cucaracha" as an oral story of displeasure towards political personalities (and all others responsible).
The Dance That Came Full Circle  When the French colonized Haiti, they enslaved the locals and made them work on plantations. The enslaved Haitians were forbidden to publicly perform European dances, but their slave masters still had them perform their African dances for the amusement of the masters.
After the slave revolt of 1804, the class frontiers began to collapse and Europeans began to marry women of African descent. The descendants of these marriages according to general law were called Affranchi and created a new style of Haitian dance.
The Affranchi (folk dance) was named after the new class that created it. It contained some movements of their enslaved ancestors, but their rhythmic movements were more restrained than the dances that were once secretly performed to drums of voodoo ceremonies as a European stance. The Affranchi Dance was based largely on European dance structures with African elements. 
It was a prestigious dance class. As Affranchi spread beyond Haiti into modern times, it began to absorb a greater range of movements. Other original African elements have been re-recorded, including voodoo drum beats and a stronger connection to the Haitian heritage. It has been more than an emphasis on European structures. It was now a dance that was associated with Haiti itself.
Mike lives on the East Coast and pays too much for beach parking.